2025, exhibition view (Untitled, 2025 and HOT COLD, 2025)
Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
MARE'S NEST
2025, pastel chalk on wall, 15 x 934 x 863 cm, dimensions variable
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Untitled
2025, mouth-blown glass needles, 19-part installation, each ca. 40 – 50 cm, diameter 3.6 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
HOT COLD
2025, mouth-blown glass needles, 19-part installation, each ca. 40 – 50 cm, diameter 3.6 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
HOT COLD (detail)
2025, mouth-blown glass needles, 19-part installation, each ca. 40 – 50 cm, diameter 3.6 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
HOT COLD
The iCloud (Apple Inc. Data Center), Storey County, Nevada, 2019
2025, edition of posters, offset print, 42 x 59,4 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Owen Gump
2025, mixed media on watercolor paper, 33-part drawing, each 51 x 36 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Owen Gump
2025, mixed media on watercolor paper, 33-part drawing, each 51 x 36 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Denial
2025, gouache on metal, acrylic on thread, 45 x 45 cm & 94 x 94 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Denial (detail)
2025, gouache on metal, acrylic on thread, 45 x 45 cm & 94 x 94 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
STUDY FOR ACAPULCO & ACAPULCO
2025, digital print mounted on dibond, sand-blasted metal frame, 71 x 93 cm
Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
STUDY FOR ACAPULCO & ACAPULCO (detail)
2025, exhibition view (Where's West, 2025, KISSYOU!, Ich ich ich)
Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
MARE'S NEST
2025, exhibition view (Where's West, 2025, KISSYOU!, Ich ich ich)
Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Where's West
2025, graphite on metal, 2-part installation, each 103 x 131 x 40 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Untitled (FF)
2025, graphite on metal, 2-part installation, each 103 x 131 x 40 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Untitled (FF) (detail)
2025, graphite on metal, 2-part installation, each 103 x 131 x 40 cm
MARE'S NEST, Galerie Norbert Arns, Cologne, Germany
Photo: Mareike Tocha
Untitled (FF)
2025, billboard by Tony Just and Stephanie Stein (feat. Calligraphy by Lars Heller)
Labor Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, exhibition view (Untitled, 2025 by Stephanie Stein)
Labor Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, exhibition view (Untitled, 2025 by Stephanie Stein and Untitled, 2025 by Tony Just)
Labor Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, exhibition view (Untitled, 2025 by Stephanie Stein and Untitled, 2025 by Tony Just)
Labor Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, gouache on metal, side-specific 2-part installation, 235 x 80 x 110cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
Untitled
2025, gouache on metal, side-specific 2-part installation, 235 x 80 x 110cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
Untitled (detail)
2025, gouache on metal, side-specific 2-part installation, 235 x 80 x 110cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
Untitled (detail)
2025, oilpaint on wood, 44 x 60x 3.5 cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
Tony Just - Untitled
2025, oilpaint on wood, 44 x 60x 3.5 cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
Tony Just - Untitled
2025, collage by Tony Just and Stephanie Stein, ed. 20 + 5 AP, 36 x 26 x 0.3 cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, collage by Tony Just and Stephanie Stein, ed. 20 + 5 AP, 36 x 26 x 0.3 cm
LABOR Ebertplatz, Cologne, Germany
Photo: Christoph Klute
FOLLOW UP
2025, exhibition view (OASE, 2022 and Jerry Pethick)
Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada
Another Green World
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada
OASE (Installation view)
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada
OASE (Installation view)
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada
OASE (Installation view)
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada
Photo: Stephanie Stein
OASE
2023, gouache on wood, 100 x 78 x 2 cm
The Terminal Beach, Efremidis, Berlin, Germany
Photo: Majorie Brunet Plaza
Problem Y
2023, gouache on wood, 100 x 78 x 2 cm
The Terminal Beach, Efremidis, Berlin, Germany
Photo: Majorie Brunet Plaza
Problem Y (detail)
2023, gouache on wood, 100 x 78 x 2 cm
The Terminal Beach, Efremidis, Berlin, Germany
Photo: Majorie Brunet Plaza
Problem Y (detail)
2023, gouache on wood, hinge, movable, 68 x 49 x 0.5 cm
The Terminal Beach, Efremidis, Berlin, Germany
Photo: Majorie Brunet Plaza
Problem T
2023, gouache on wood, hinge, movable, 68 x 49 x 0.5 cm
The Terminal Beach, Efremidis, Berlin, Germany
Photo: Majorie Brunet Plaza
Problem T
2024, exhibition view (Robert Elfgen, LEFTOVER, 2024 Max Ernst, Flavie Audi)
Brunhilde Bordeaux-Groult & Robert Elfgen, Rue Raffet, Paris, France
Photo: Fanni Plessis
L'invitation au voyage
2024, exhibition view (Robert Elfgen and LEFTOVER, 2024 and Max Ernst), LEFTOVER, 2024, gouache on metal, 103 x 0.5 x 0.3 cm
Brunhilde Bordeaux-Groult & Robert Elfgen, Rue Raffet, Paris, France
Photo: Fannie Plessis
L'invitation au voyage
2024, exhibition view (STUDY FOR ONE PER PERSON, 2024 and Andreas Feininger)
L'invitation au voyage, Brunhilde Bordeaux-Groult & Robert Elfgen, Rue Raffet, Paris, France
Photo: Fannie Plessis
L'invitation au voyage
2024, gouache on metal, 59.4 x 42 x 0.3 cm
L'invitation au voyage, Brunhilde Bordeaux-Groult & Robert Elfgen, Rue Raffet, Paris, France
Photo: Fannie Plessis
STUDY FOR ONE PER PERSON
2024, gouache on metal, 59.4 x 42 x 0.3 cm
L'invitation au voyage, Brunhilde Bordeaux-Groult & Robert Elfgen, Rue Raffet, Paris, France
Photo: Fannie Plessis
STUDY FOR ONE PER PERSON
2024, ink on paper, 64 x 53 cm
Photo: Stephanie Stein
Study for STUDY FOR ONE PER PERSON
2024, silkscreen print, 102 x 72 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
RUN
2024, glass, 17-part installation, each 110 – 130 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Continuous Interest (detail)
2024, glass, 17-part installation, each 110 – 130 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Continuous Interest (detail)
2024, glass, 17-part installation, each 110 – 130 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Continuous Interest (installation view)
2024, glass, 17-part installation, each 110 – 130 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Continuous Interest
2024, glass, 17-part installation, each 110 – 130 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Continuous Interest (detail)
2024, gelatin silver print, 52 x 68 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
UNINTERESTED
2024
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
Vitrine zu historischen Ausstellungen im Kunstraum
2024, gouache on stainless steel, 54 x 42 x 0.05 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
BACK TO WORK
2024, gouache on stainless steel, 54 x 42 x 0.05 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
BACK TO WORK
2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
THE PROMISE
2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
THE PROMISE
2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
THE PROMISE (detail)
2024, exhibition view (FAR FROM HOT BATHS, 2024 and ECHO I, 2024)
Kunstraum München, Germany
Photo: Thomas Splett
RUN RUN RUN
2024, lacquer and gouache on stainless steel, 6-part installation, dimensions variable, (height 220cm)
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
FAR FROM HOT BATHS (installation view)
2024, lacquer and gouache on stainless steel, 6-part installation, dimensions variable, (height 220cm)
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
FAR FROM HOT BATHS (detail)
2024, lacquer and gouache on stainless steel, 6-part installation, dimensions variable, (height 220cm)
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
FAR FROM HOT BATHS
2024, lacquer and gouache on stainless steel, 6-part installation, dimensions variable, (height 220cm)
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
FAR FROM HOT BATHS
2024, lacquer and gouache on stainless steel, 6-part installation, dimensions variable, (height 220cm)
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
FAR FROM HOT BATHS (detail)
2024
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
c
2024, lacquer on wood, each 50 x 39 x 2.5 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
ECHO I / ECHO II (installation view)
2024, lacquer on wood, 50 x 39 x 2.5 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
ECHO I
2024, video loop
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
HIT
2024, video loop
RUN RUN RUN, Kunstraum München, Germany
HIT
2024, silkscreen print, 102 x 72 cm
RUN RUN RUN, Kunstraum München, Germany
Photo: Thomas Splett
RUN
2023, exhibition view (DEVICES TO ENTER A SPACE, 2018 and Anne Jud)
Efremidis, Berlin, Germany
Biographicality
2023, exhibition view (DEVICES TO ENTER A SPACE, 2018 and Xavier Robles de Medina and Tony Just)
Efremidis, Berlin, Germany
Biographicality
2023, exhibition view (Tony Just and DEVICES TO ENTER A SPACE, 2018 and Tamar Magradze)
Efremidis, Berlin, Germany
Biographicality
2023, digital photoprint on fine art paper, edition, size variable
Untitled
2022, silkscreen on Splendorlux (Ferro Mirror), 132 x 176 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
No Consequences
2022, exhibition view (No consequences, 2022 and Zu Hause kennt einen Jeder, 2022)
Setareh, Berlin, Germany
Photo: Trevor Good
OASE
2022, exhibition view (Zu Hause kennt einen Jeder, 2022 and L'autre, 2022)
Setareh, Berlin, Germany
Photo: Trevor Good
OASE
2022, glass, 14-part installation, size variable, each 30 x 10 cm, diameter 15mm each
OASE, Setareh Berlin, Germany
Photo: Trevor Good
L'autre
2022, glass, 14-part installation, size variable, each 30 x 10 cm, diameter 15mm each
OASE, Setareh Berlin, Germany
Photo: Trevor Good
L'autre (detail)
2022, digital photoprint mounted on aluminium, 110 x 139 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
Zu Hause kennt einen Jeder
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
OASE, Setareh Berlin, Germany
Photo: Trevor Good
OASE
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
OASE, Setareh Berlin, Germany
Photo: Trevor Good
OASE
2022, video / sound installation, 3:40 min, loop, sound composition by Carlo Heller
OASE, Setareh Berlin, Germany
OASE
2022, exhibition view (O, 2022 and LOL, 2022)
Setareh, Berlin, Germany
Photo: Trevor Good
OASE
2022, digital photoprint, 160 x 210 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
O
2022, digital photoprint, 160 x 210 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
O
2022, lacquer on brass, 26 x 26 x 5 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
LOL (reloaded)
2022, lacquer on brass, 26 x 26 x 5 cm
OASE, Setareh Berlin, Germany
Photo: Trevor Good
LOL (reloaded)
2021, graphite on aluminium, 9-part installation, 267 x 267 x 1 cm
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
90 – 60 – 90
2021, graphite on aluminium, 9-part installation, 267 x 267 x 1 cm
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
90 – 60 – 90 (detail)
2021, graphite on wood, lacquer on metal, 107 x 100 x 10 cm
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
Condition
2021, graphite on wood, lacquer on metal, 107 x 100 x 10 cm
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
Condition (detail)
2021, digital photoprint, 2-part, each 59 x 37 cm
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
IO
2021, videoloop, sound: Carlo Heller
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
REIN UND RAUSLAND
2021, videoloop, sound: Carlo Heller
REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany
Photo: Johannes Bendzulla
REIN UND RAUSLAND
2021, exhibition view (Un peu beaucoup, 2021 and Minda Andren)
Setareh, Berlin, Germany
Feeling The Room Temperature
2021, Silkscreen on Fedrigoni Sirio Color 200g, 4-part installation, each 70 x 100 cm
Feeling The Room Temperature, Setareh, Berlin, Germany
Photo: Trevor Good
Un peu beaucoup
2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm
Feeling The Room Temperature, Setareh, Berlin, Germany
Photo: Trevor Good
Un peu beaucoup (limone)
2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm
Feeling The Room Temperature, Setareh, Berlin, Germany
Photo: Trevor Good
Un peu beaucoup (arancia)
2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm
Feeling The Room Temperature, Setareh, Berlin, Germany
Photo: Trevor Good
Un peu beaucoup (gialloro)
2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm
Feeling The Room Temperature, Setareh, Berlin, Germany
Photo: Trevor Good
Un peu beaucoup (flamingo)
2021, exhibition view (Macht Nichts, 2021)
Setareh Berlin, Germany
Photo: Trevor Good
Feeling The Room Temperature
2021, acrystal, body imprints, 4-part installation, each 220 x 120 x 28 cm
Feeling The Roomtemperature, Setareh, Berlin, Germany
Photo: Trevor Good
Macht Nichts
2021, acrystal, body imprints, 4-part installation, each 220 x 120 x 28 cm
Feeling The Roomtemperature, Setareh, Berlin, Germany
Photo: Trevor Good
Macht Nichts
2021, acrystal, body imprints, 4-part installation, each 220 x 120 x 28 cm
Feeling The Roomtemperature, Setareh, Berlin, Germany
Photo: Trevor Good
Macht Nichts
2020, graphite on wood, digital photoprint 33 x 33 x 3 cm
Galerie Crone, Vienna, Austria
Photo: Markus Schneider
Zu Hause kennt eine Jeder (edition)
2020, digital photoprint, dimensions variable
Who am I, Megamelange, Cologne, Germany
Photo: Megamelange
HI - FI
2020, digital photoprint, dimensions variable
Who am I, Megamelange, Cologne, Germany
Photo: Megamelange
Robin Hood
2020, digital photoprint, dimensions variable
Who am I, Megamelange, Cologne, Germany
Photo: Megamelange
Ideology
2019, graphite on wood, 5-part installation / mise en scène, dimensions variable, each 250 x 120 x 3 cm
Public Program Paris Internationale, The Performance Agency, Paris, France
Photo: Stephanie Stein
H.O.T. (HOUSE OF TROUBLE)
2019, graphite on wood, 5-part installation / mise en scène, dimensions variable, each 250 x 120 x 3 cm
Public Program Paris Internationale, The Performance Agency, Paris, France
Photo: Stephanie Stein
H.O.T. (HOUSE OF TROUBLE)
2018, lacquer and graphite on wood, 6-part installation, dimensions variable, each 200 x 20 x 13 cm
DEVICES TO ENTER A SPACE, kjubh Kunstverein, Cologne, Germany
Photo: Achim Kukulies
DEVICES TO ENTER A SPACE
2018, lacquer and graphite on wood, 6-part installation, dimensions variable, each 200 x 20 x 13 cm
DEVICES TO ENTER A SPACE, kjubh Kunstverein, Cologne, Germany
Photo: Achim Kukulies
DEVICES TO ENTER A SPACE
2018, lacquer and graphite on wood, 6-part installation, dimensions variable, each 200 x 20 x 13 cm
DEVICES TO ENTER A SPACE, kjubh Kunstverein, Cologne, Germany
Photo: Achim Kukulies
DEVICES TO ENTER A SPACE
2018, lacquer and graphite on wood, 6-part installation, dimensions variable, each 200 x 20 x 13 cm
DEVICES TO ENTER A SPACE, kjubh Kunstverein, Cologne, Germany
Photo: Achim Kukulies
DEVICES TO ENTER A SPACE
2018, lacquer and graphite on wood, 6-part installation, dimensions variable, each 200 x 20 x 13 cm
DEVICES TO ENTER A SPACE, kjubh Kunstverein, Cologne, Germany
Photo: Achim Kukulies
DEVICES TO ENTER A SPACE
2017, exhibition view
Kosmetiksalon Babette, Berlin, Germany
Photo: Markus Schneider
Solo For One, ERROR O
2017, graphite on wood, 5-part installation, size variable, each 120 x 2 x 2 cm
Solo For One, Kosmetiksalon Babette, Berlin, Germany
Photo: Markus Schneider
Le Clan
2017, graphite on wood, 5-part installation, size variable, each 120 x 2 x 2 cm
Solo For One, Kosmetiksalon Babette, Berlin, Germany
Photo: Markus Schneider
Le Clan (detail)
2017, video loop with performative sound by Andreas Reihse, lyrics by Marcus Steinweg
Solo For One, Kosmetiksalon Babette, Berlin, Germany
ERROR O
2017, acrystal, cast neon tube, size variable
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Untitled
2017, lacquer on metal, movable, 70 x 70 x 140 cm
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
OH NO!
2017, lacquer on metal, movable, 70 x 70 x 140 cm
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
OH NO!
2017, lacquer on metal, movable, 70 x 70 x 140 cm
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
OH NO!
2017, lacquer on metal, movable, 70 x 70 x 140 cm
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
OH NO!
2017, lacquer on metal, movable, 70 x 70 x 140 cm
FOLD, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
OH NO!
2016, studio view
Photo: Stephanie Stein
Untitled (substitute) I
2016, exhibition view (Untitled (substitute) I and Untitled (substitute) II)
ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Untitled substitute
2016, gouache on wood 400 x 225 x 2 cm
Untitled substitute, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Untitled (substitute) I
2016, gouache on wood 375 x 12 x 2 cm
Untitled substitute, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Untitled (substitute) II
2016, gouache on wood 375 x 12 x 2 cm
Untitled substitute, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Untitled (substitute) II
2016, gouache on metal, 157 x 20 x 30 cm
Untitled substitute, ASPN Gallery, Leipzig, Germany
Photo: Stefan Fischer
Milano
2016, exhibition view (Untitled, 2016 and I'm back, 2016)
Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
NOCH NICHT
2016, exhibition view (I'm back, 2016) 2016, silkscreen, 99 x 69 cm
Q-Box Gallery, Athens, Greece
NOCH NICHT
2016, silkscreen, 99 x 69 cm
NOCH NICHT, Q-Box Gallery, Athens, Greece
I'm back
2016, graphite on wood, 7-part installation, 150 x 2 x 305 cm
NOCH NICHT, Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
Untitled
2016, exhibition view (Model Bologna, 2016 and Untitled, 2016)
Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
NOCH NICHT
2016, metal, hinges, movable, 80 x 80 x 160 cm
NOCH NICHT, Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
Model Bologna
2016, metal, hinges, movable, 80 x 80 x 160 cm
NOCH NICHT, Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
Model Bologna
2016, metal, hinges, movable, 80 x 80 x 160 cm
NOCH NICHT, Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
Model Bologna
2016, exhibition view (I'm back, 2016 and Affenclub, 2016)
Q-Box Gallery, Athens, Greece
Photo: Q-Box Gallery
NOCH NICHT
2016, videoloop, sound by Andreas Reihse
NOCH NICHT, Q-Box Gallery, Athens, Greece
Photo: Stephanie Stein
Affenclub
2016, gouache on metal, 150 x 25 x 30 cm
Extradelicato International, Milano, Italy
Photo: Sophie Ko Cheiddze
Ich ging an mir vorbei
2016, digital print, dimensions variable
Untitled
2016, digital print, dimensions variable
Untitled
2016, digital print, dimensions variable
Untitled
2015, exhibition view (Tobias Hoffknecht, untitled, 2015 and Stephanie Stein, Spagat, 2015)
A+B Contemporary, Brescia, Italy
Photo: Davide Sala
Bobbi
2015, graphite on wood, 100 x 175 x 75 cm
Bobbi, A+B Contemporary, Brescia, Italy
Photo: Davide Sala
Spagat
2015, graphite on wood, 100 x 45 x 3 cm
La Gorgiera Del Tempo, MAC Museo d'Arte Contemporanea, Lissone, Italy
Photo: Davide Sala
Untitled
2015, plexiglass, 170 x 120 x 40 cm, Collaboration Tobias Hoffknecht
Bobbi, A+B Contemporary, Brescia, Italy
Photo: Davide Sala
O-Ton
2015, plexiglass, 170 x 120 x 40 cm, Collaboration Tobias Hoffknecht
Bobbi, A+B Contemporary, Brescia, Italy
Photo: Davide Sala
O-Ton
2014, digital photoprint, 2-part each 40 x 50 cm, Collaboration Tobias Hoffknecht
Untitled
2015, exhibition view (Topless, 2015 and Schadensfall, 2014)
Galerie Crone, Berlin, Germany
Photo: Markus Schneider
The Vacancy
2015, graphite on wood, 100 x 220 x 10 cm
The Vacancy, Galerie Crone, Berlin, Germany
Photo: Markus Schneider
Topless
2014, gouache on wood, dimension variable
L'avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy
Photo: Philip Seibel
Schadensfall
2014, acrylic on rope, 62 x 38 x 21 cm
L'avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy
Photo: Philip Seibel
Internationale Spezialität
2014, gouache on metal, 114 x 15 x 15 cm
L'avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy
Photo: Philip Seibel
Bugs
2014, rope, mdf, 1100 x 800 x 700 cm, Collaboration Tobias Hoffknecht
IFINITO, Maschinenhaus Essen, Germany
Photo: Ben Hermanni
WAS
2014, rope, mdf, 1100 x 800 x 700 cm, Collaboration Tobias Hoffknecht
IFINITO, Maschinenhaus Essen, Germany
Photo: Ben Hermanni
WAS
2013, gouache on metal, kitchen twine, dimension variable
The End, Q-Box Gallery. Athens, Greece
Photo: Q-Box Gallery
Untitled
2013, digital photoprint, 98 x 49 cm
Photo: Stephanie Stein
Cave Carrara
2013, exhibition view (Schon bald, 2013)
Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
O
2013, gouache on metal, 100 x 100 x 15 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Schon bald
2013, gouache on wood, 98 x 24.5 x 11 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Du-L
2013, gouache on wood, 113 x 9 x 0.5 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Problem II
2013, gouache on wood, 113 x 9 x 0.5 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Problem I
2013, gouache on wood, 113 x 9 x 0.5 cm
O, Natlaia Hug, Cologne, Germany
Photo: Ben Hermanni
Problem III
2013, gouache on wood, kitchen twine, 165 x 155 x 30 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Alexey's
2013, gouache on wood, 110 x 3 x 0.5 cm
O, Natalia Hug, Cologne, Germany
Photo: Ben Hermanni
Problem Yellow
2013, gouache on wood, acrylic on kitchen twine, 2-part, each 98 x 20 x 0.5 cm
Photo: Ben Hermanni
Bows
2013, gouache on wood, 94 x 104 x 16 cm
Jahresgabe Kölnische Kunstverein, Cologne, Germany
Photo: Alexander Böhle
CIRCUS II
2013, gouache on wood, 94 x 104 x 16 cm
Jahresgabe Kölnische Kunstverein, Cologne, Germany
Photo: Alexander Böhle
CIRCUS I
2012, gouache on wood, 52 x 64 cm
Photo: Ben Hermanni
Study for IN-GRID
2012, lacquer and pigment on wood, 250 x 250 x 120 cm
Maison de Plaisance/Jardins des Plaisirs, Museum Morsbroich, Leverkusen, Germany
Photo: Ben Hermanni
IN-GRID
2012, lacquer and pigment on wood, 250 x 250 x 120 cm
Maison de Plaisance/Jardins des Plaisirs, Museum Morsbroich, Leverkusen, Germany
Photo: Ben Hermanni
IN-GRID
2012, pigment on wood, kitchen twine, 238 x 175 x 128 cm
Studio Kölnischer Kunstverein, Cologne, Germany
Photo: Ben Hermanni
Stresser
2012, gouache, graphite on wood, 71 x 50 x 16 cm
Jahresgabe Kölnischer Kunstverein, Cologne, Germany
Photo: Ben Hermanni
UNTITLED
2012, gouache on wood, 2-part installation, 440 x 200 x 2 cm, 280 x 200 x 2 cm
Drunken Sailor. Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
Drunken Sailor
2012, gouache on wood, 2-part installation, 440 x 200 x 2 cm, 280 x 200 x 2 cm
Drunken Sailor. Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
Drunken Sailor
2012, gouache on wood, 2-part installation, 440 x 200 x 2 cm, 280 x 200 x 2 cm
Drunken Sailor. Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
Drunken Sailor
2012, pigment on wood, 84 x 54 x 22.5 cm
Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
X
2012, exhibition view (X, 2012 and Drunken Sailor, 2012)
Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
Drunken Sailor
2012, pigment on wood, 84 x 54 x 22.5 cm
Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
X
2012, pigment on wood, metal wire, 26 x 26 x 5 cm
Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
LOL
2012, pigment on wood, metal wire, 26 x 26 x 5 cm
Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany
Photo: Lena Böhm
LOL
2012, pigment on wood, 56 x 49 x 2.5 cm
Photo: Ben Hermanni
Yes, please
2011, pigment on wood, 2-part installation, each 116 x 108 x 5 cm
Photo: Ben Hermanni
primitive society
2011, gouache on wood, 108 x 105 x 5 cm
Photo: Ben Hermanni